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Vienna Pre-1900

© ORF

Oliver Rathkolb and ORF-Journalist Katharina Gruber conduct a series of interviews with experts of various fields – from medicine and politics to art – on how they assess the changes their disciplines went through in Vienna pre-1900, and the consequent affects on modernism.

About the Series

Foto vom Podium der ersten Expert*innen Runde am 22.01.2024 im Radio Kulturhauscafe zum Thema Medizingeschichte und Psychoanalyse von links nach rechts: Oliver Rathkolb, Daniela Finzi, Herwig Czech, Katharina Gruber
© ORF
Radio Kulturhaus Cafe, January 22nd 2024
left to right: Oliver Rathkolb, Daniela Finzi, Herwig Czech, Katharina Gruber


Media-Coverage:

ORF Topos on the first interview with Herwig Czech and Daniela Finzi, including a video recording of the whole discussion

ORF news on the second interview with Bettina Hering and Norbert Christian Wolf

Program:

22.01.2024: Herwig Czech (Medizinische Universität Wien) and Daniela Finzi (Sigmund Freud Museum Wien) on The History of Medicine and Psychoanalysis

20.03.2024: Bettina Hering (Vienna) and Nobert Christian Wolf (Universität Wien) on Literature

22.04.2024: Barbara Boisits (Österreichische Akademie der Wissenschaften) and Christian Glanz (Universität für Musik und darstellende Kunst Wien) on Music

10.06.2024: Peter Eigner (Universität Wien) and Hans Petschar (Österreichische Nationalbibliothek) on Economic and political framework of art 1900

26.09.2024: Kathrin Pokorny-Nagel (Museum für angewandte Kunst) and Johannes Wieninger (Vienna) on Applied Arts and Design

17.10.2024: Monika Platzer (Architekturzentrum Wien) and Werner Telesko (Österreichische Akademie der Wissenschaften) on Art and Architecture

21.11.2024: Katharina Prager (Wienbibliothek im Rathaus) and Andrea Winkelbauer (Jüdisches Museum der Stadt Wien) on Women artists and salonières in Vienna pre-1900

10.12.2024: Johannes Feichtinger (Österreichische Akademie der Wissenschaften) and Marianne Klemun (Institut für Geschichte) on The History of Science


In cooperation with ORF TOPOS, Ö1, and in collaboration with ORF RadioKulturhaus



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Democracy has a future

Ensemble-members of the Vienna Burgtheater – Annamária Láng, Tobias Moretti, Martin Schwab und Marie-Luise Stockinger – present excerpts from literary texts by contemporary authors of eight European countries which were part of two studies (2019, 2022) on authoritarian attitudes and democracy. The results of the latter study (2022) – a survey on views on national history, democracy and its principles, and authoritarianism in their respective conutries and Europe at large – will be presented, followed by an expert panel discussion.

Jean-Baptiste Del Amo (France)
Sabine Gruber (Italy)
Michal Hvorecký (Slovakia)
Dorota Masłowska (Poland)
Terézia Mora (Hungary)
Kathrin Röggla (Germany)
Antonia Scurati (Italy)
Gerhild Steinbuch (Austria)
Tena Štivičić (UK)

Panel discussion: Misha Glenny (Rector of the Institute for Human Sciences, IWM), Cathrin Kahlweit (Correspondent Süddeutsche Zeitung for Central- and Eastern Europe, Political Scientist), Sylvia Kritzinger (Professor at the Department of Government, University of Vienna) and Oliver Rathkolb (Professor at the Department of Contemporary History, University of Vienna, and Chairman of the Vienna Institute for Cultural and Contemporary History and Arts, VICCA)

Moderated by Markus Müller-Schinwald (Ö1)

About the Event

pdf (in German, English version to be published in autumn 2024)


Media Coverage

Ö1

TOPOS article

Frankfurter Rundschau 1, 2, 3


In cooperation with the Burgtheater and the Institute for Contemporary History at the University of Vienna

Sponsors:
Alfred Landecker Foundation Berlin; Fritz Bauer Institute Frankfurt/Main, Association for the Academic Reappraisal of Contemporary History; Culture Department of the City of Vienna; National Fund of the Republic of Austria for Victims of National Socialism, and Zukunftsfonds.


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Anything Goes – The Role of Music in Society

Dancing bar in Baden-Baden by Max Beckmann, 1923

As part of a panel of experts of cultural history and art– which he helped put together – Oliver Rathkolb joins a discussion with Larry Diamond, Daniel Froschauer, Nadine Rossol und Franz Welser on the arts and what they can tell and predict about their time, as well as its politics and society. The discussion aims to compare the current conditions with those of the “anything-goes” society of the 1920s, which ultimately led to the fall of democracy and a rise of authoritarianism.

Moderated by Sheri Berman

Wednesday. February 28th 2024 at 5:30 pm

Resnick Education Wing, Carnegie Hall

©Lydia Rathkolb
Left to right: Franz Welser-Möst, Daniel Froschauer, Nadine Rossol, Oliver Rathkolb, Larry Diamond, Sherry Berman

About the Event


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Hans Sima – a political life

Hans Sima Exhibition, Poster

The photo exhibition “Hans Sima – a political life” reconstructs the life and political work of Carinthia’s governor Hans Sima using selected photographic highlights.

Professor Oliver Rathkolb and Dr. Petra Mayrhofer are curating the photo exhibition together with Dr. Andreas Kuchler, Director of the Museum of the City of Villach. It provides insights into the former craft of political press photography in black and white. Photographic self-portraits using cell phone photography were still unknown. Sima planned to give Austria’s southernmost province an active role at the intersection of the three countries Austria, Italy, and the former Yugoslavia. He therefore intensified specific projects within the framework of Alps-Adriatic cooperation. The presentation of this exhibition in four languages is intended to underline this. Representative excerpts from the ORF III documentary “Hans Sima: A politician’s life in turbulent times” complement the presentation. An audio guide in German, English, Italian, and Slovenian facilitates the communication of the content and the participation of visually impaired people.

The new special exhibition of contemporary history on a total of 15 panels can be seen free of charge until the end of the year 2023 in the Alps-Adriatic Media Library of the Villach Chamber of Labor, Kaiser-Josef-Platz 1, 9500 Villach.

Hans Sima Photo Exhibition, AK Bibliothek Villach

Sponsered by Villach :City Museum, Hans Sima Stiftung, and Arbeiterkammer Kärnten


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Straussmania

December 31: The Complex History Behind a Vienna Philharmonic Tradition

Oliver Rathkolb

A global event today, the orchestra’s annual New Year’s Concert took shape during dark days in Austrian history.

If the Vienna Philharmonic’s annual New Year’s Concert is a global success, its legacy and reach rest on five pillars: a marvelous orchestra; internationally renowned conductors; a timeless repertoire, by the Strauss family and other composers of the 19th century; a splendid location, the gilded Musikverein; and TV broadcasts watched most recently by some 1.2 million people in 92 countries on five continents. (Full text)

Oliver Rathkolbs article in the New York Times

Rehearsal for the 2023 New Year´s Concert, 29.12.2022.
Copyright: Wiener Philharmoniker / Dieter Nagl

German full text

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Straussmania

30. December: The Strauss Brothers and the Music Society

Otto Biba

After the city walls of Vienna were torn down and the surrounding moat filled in, a magnificent boulevard was to be built in its place. The Society of Friends of Music (Gesellschaft der Musikfreunde) then received a plot of land from Emperor Franz Joseph I for the construction of a new Music Society (Musikverein) building, since they had grown out of the previous one on Tuchlauben, one of the most distinguished streets of the inner city. (English full text)

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Straussmania

December 29: Birthplace of the waltz king Strauss son

Isabella Sommer

In the noble district of Hietzing, at least according to its name, a coffee house today reminds of a once famous establishment: in “Dommayers Casino” the great composers played in the 19th century – but above all, Johann Strauss junior made his debut as a conductor there at the age of not quite 19, celebrated by the whole of Vienna, and from then on rivaled his famous father. (Full text on ORF Topos)

https://topos.orf.at/straussmania-dommayer100

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28 December: This is how a successful music piece works in 2023.

Gerald Heidegger

If a waltz in the 19th century sometimes wanted to be a symphony in the short space of eight minutes, in the present day the challenges to a song are no less great. Today, one has between 2.10 and 2.40 minutes to bring one’s own composition to the audience, says musician and former song contest participant Cesar Sampson in a Straussmania interview. (Full text on ORF Topos)

https://topos.orf.at/straussmania-song100

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Straussmania

27 December: When Vienna became a lagoon city

Christian Glanz

In the last third of the 19th century, entertainment in Vienna increasingly focused on sensation. In its most spectacular form, it offered its own worlds of experience that allowed the public to immerse itself in a different reality. This form of escapism, including the more or less authentic flair of the city that gave it its name, was offered, for example, in “Venice in Vienna. (Full text on ORF Topos)

https://topos.orf.at/straussmania-venedig-in-wien100

Gabor Steiner (ehemals im Besitz von), Fritz Luckhardt (Fotograf), Ansicht aus dem Vergnügungspark “Venedig in Wien” im Prater , 1895, Wien Museum Inv.-Nr. 49616/12, CC0 (https://sammlung.wienmuseum.at/objekt/423688/)
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December 26: Strauss music on tour in Europe

Norbert Rubey

Extensive concert tours of the family dynasty carry the fame of the Viennese waltz and especially of the Strauss family throughout Europe in the 19th century. All the Strausses go on tour abroad, the family business flourishes. Eduard Strauss is particularly restless. Last but not least, the third-born Strauss son receives more recognition far from home. (Full text on ORF Topos)

https://topos.orf.at/straussmania-eduard-strauss-europa100