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Vienna Pre-1900

© ORF

Oliver Rathkolb and ORF-Journalist Katharina Gruber conduct a series of interviews with experts of various fields – from medicine and politics to art – on how they assess the changes their disciplines went through in Vienna pre-1900, and the consequent affects on modernism.

About the Series

Foto vom Podium der ersten Expert*innen Runde am 22.01.2024 im Radio Kulturhauscafe zum Thema Medizingeschichte und Psychoanalyse von links nach rechts: Oliver Rathkolb, Daniela Finzi, Herwig Czech, Katharina Gruber
© ORF
Radio Kulturhaus Cafe, January 22nd 2024
left to right: Oliver Rathkolb, Daniela Finzi, Herwig Czech, Katharina Gruber


Media-Coverage:

ORF Topos on the first interview with Herwig Czech and Daniela Finzi, including a video recording of the whole discussion

ORF news on the second interview with Bettina Hering and Norbert Christian Wolf

Program:

22.01.2024: Herwig Czech (Medizinische Universität Wien) and Daniela Finzi (Sigmund Freud Museum Wien) on The History of Medicine and Psychoanalysis

20.03.2024: Bettina Hering (Vienna) and Nobert Christian Wolf (Universität Wien) on Literature

22.04.2024: Barbara Boisits (Österreichische Akademie der Wissenschaften) and Christian Glanz (Universität für Musik und darstellende Kunst Wien) on Music

10.06.2024: Peter Eigner (Universität Wien) and Hans Petschar (Österreichische Nationalbibliothek) on Economic and political framework of art 1900

26.09.2024: Kathrin Pokorny-Nagel (Museum für angewandte Kunst) and Johannes Wieninger (Vienna) on Applied Arts and Design

17.10.2024: Monika Platzer (Architekturzentrum Wien) and Werner Telesko (Österreichische Akademie der Wissenschaften) on Art and Architecture

21.11.2024: Katharina Prager (Wienbibliothek im Rathaus) and Andrea Winkelbauer (Jüdisches Museum der Stadt Wien) on Women artists and salonières in Vienna pre-1900

10.12.2024: Johannes Feichtinger (Österreichische Akademie der Wissenschaften) and Marianne Klemun (Institut für Geschichte) on The History of Science


In cooperation with ORF TOPOS, Ö1, and in collaboration with ORF RadioKulturhaus



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Democracy has a future

Ensemble-members of the Vienna Burgtheater – Annamária Láng, Tobias Moretti, Martin Schwab und Marie-Luise Stockinger – present excerpts from literary texts by contemporary authors of eight European countries which were part of two studies (2019, 2022) on authoritarian attitudes and democracy. The results of the latter study (2022) – a survey on views on national history, democracy and its principles, and authoritarianism in their respective conutries and Europe at large – will be presented, followed by an expert panel discussion.

Jean-Baptiste Del Amo (France)
Sabine Gruber (Italy)
Michal Hvorecký (Slovakia)
Dorota Masłowska (Poland)
Terézia Mora (Hungary)
Kathrin Röggla (Germany)
Antonia Scurati (Italy)
Gerhild Steinbuch (Austria)
Tena Štivičić (UK)

Panel discussion: Misha Glenny (Rector of the Institute for Human Sciences, IWM), Cathrin Kahlweit (Correspondent Süddeutsche Zeitung for Central- and Eastern Europe, Political Scientist), Sylvia Kritzinger (Professor at the Department of Government, University of Vienna) and Oliver Rathkolb (Professor at the Department of Contemporary History, University of Vienna, and Chairman of the Vienna Institute for Cultural and Contemporary History and Arts, VICCA)

Moderated by Markus Müller-Schinwald (Ö1)

About the Event

pdf (in German, English version to be published in autumn 2024)


Media Coverage

Ö1

TOPOS article

Frankfurter Rundschau 1, 2, 3


In cooperation with the Burgtheater and the Institute for Contemporary History at the University of Vienna

Sponsors:
Alfred Landecker Foundation Berlin; Fritz Bauer Institute Frankfurt/Main, Association for the Academic Reappraisal of Contemporary History; Culture Department of the City of Vienna; National Fund of the Republic of Austria for Victims of National Socialism, and Zukunftsfonds.


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Anything Goes – The Role of Music in Society

Dancing bar in Baden-Baden by Max Beckmann, 1923

As part of a panel of experts of cultural history and art– which he helped put together – Oliver Rathkolb joins a discussion with Larry Diamond, Daniel Froschauer, Nadine Rossol und Franz Welser on the arts and what they can tell and predict about their time, as well as its politics and society. The discussion aims to compare the current conditions with those of the “anything-goes” society of the 1920s, which ultimately led to the fall of democracy and a rise of authoritarianism.

Moderated by Sheri Berman

Wednesday. February 28th 2024 at 5:30 pm

Resnick Education Wing, Carnegie Hall

©Lydia Rathkolb
Left to right: Franz Welser-Möst, Daniel Froschauer, Nadine Rossol, Oliver Rathkolb, Larry Diamond, Sherry Berman

About the Event


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Hans Sima – a political life

Hans Sima Exhibition, Poster

The photo exhibition “Hans Sima – a political life” reconstructs the life and political work of Carinthia’s governor Hans Sima using selected photographic highlights.

Professor Oliver Rathkolb and Dr. Petra Mayrhofer are curating the photo exhibition together with Dr. Andreas Kuchler, Director of the Museum of the City of Villach. It provides insights into the former craft of political press photography in black and white. Photographic self-portraits using cell phone photography were still unknown. Sima planned to give Austria’s southernmost province an active role at the intersection of the three countries Austria, Italy, and the former Yugoslavia. He therefore intensified specific projects within the framework of Alps-Adriatic cooperation. The presentation of this exhibition in four languages is intended to underline this. Representative excerpts from the ORF III documentary “Hans Sima: A politician’s life in turbulent times” complement the presentation. An audio guide in German, English, Italian, and Slovenian facilitates the communication of the content and the participation of visually impaired people.

The new special exhibition of contemporary history on a total of 15 panels can be seen free of charge until the end of the year 2023 in the Alps-Adriatic Media Library of the Villach Chamber of Labor, Kaiser-Josef-Platz 1, 9500 Villach.

Hans Sima Photo Exhibition, AK Bibliothek Villach

Sponsered by Villach :City Museum, Hans Sima Stiftung, and Arbeiterkammer Kärnten


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Nicht kategorisiert Straussmania

28 December: This is how a successful music piece works in 2023.

Gerald Heidegger

If a waltz in the 19th century sometimes wanted to be a symphony in the short space of eight minutes, in the present day the challenges to a song are no less great. Today, one has between 2.10 and 2.40 minutes to bring one’s own composition to the audience, says musician and former song contest participant Cesar Sampson in a Straussmania interview. (Full text on ORF Topos)

https://topos.orf.at/straussmania-song100

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December 26: Strauss music on tour in Europe

Norbert Rubey

Extensive concert tours of the family dynasty carry the fame of the Viennese waltz and especially of the Strauss family throughout Europe in the 19th century. All the Strausses go on tour abroad, the family business flourishes. Eduard Strauss is particularly restless. Last but not least, the third-born Strauss son receives more recognition far from home. (Full text on ORF Topos)

https://topos.orf.at/straussmania-eduard-strauss-europa100

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19 December: The “Güldene Waldschnepfe” as a “Schrammelmusik” stronghold

Herbert Zotti und Susanne Schedtler

Biedermeier Vienna is not only crazy about waltzes, folk music is also experiencing a peak at this time: the legendary “Schrammeln” play music to listen to as a quartet and are extremely successful with it across all social classes. Their musical headquarters at that time was in Dornbach. The “Güldene Waldschnepfe” becomes the stronghold of Schrammel music. (Full text on ORF Topos)

https://topos.orf.at/straussmania-goldene-waldschnepfe100

Unbekannt, Gasthaus zur “güldenen Waldschnepfe”, um 1900, Wien Museum Inv.-Nr. 243252, CC0 (https://sammlung.wienmuseum.at/objekt/643002/)
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18 December: From the cowshed to the dance-crazy Colosseum

Manfred Permoser

The Viennese of the Biedermeier era were so waltz-crazy that a resourceful businessman even had a cowshed converted into a magnificent dance establishment. With success, Carl Schwenders’ “Colosseum” entertainment paradise attracts dance enthusiasts in droves. Musically, they are offered only the best. The most sought-after ensembles of the city perform, including, of course, the bands of the Strauss brothers. (Full text on ORF Topos)

https://topos.orf.at/straussmania-schwender-colosseum100

Johann Stauda (Fotograf), 15., Schwenders Kolosseum – Mariahilfer Straße / Reindorfgasse, um 1880, Wien Museum Inv.-Nr. 32606, CC0 (https://sammlung.wienmuseum.at/objekt/63471/)
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17 December: A casino for pleasure in Baumgarten

Isabella Sommer

Entrepreneurs were not the only ones to create all the opulent entertainment establishments where the Viennese danced in 19th century Vienna. In Baumgarten, today’s 14th district of Vienna, the city council once decided to build a venue. It was used very successfully for various events. And even the early television is connected with the “Baumgartner Casino”. (Full text on ORF Topos)

https://topos.orf.at/straussmania-casino-baumgarten100

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16 December: Slide and Strauss at the”Meidlinger Tivoli”

Manfred Permoser

Around 1830, the Viennese were spoiled for choice when it came to venues for the ultimate in musical enjoyment and dancing. Two resourceful entrepreneurs nevertheless deliver a new attraction: a “slide” with a music pavilion at the Tivoli on “Grüner Berg”. The establishment is highly successful, thanks in part to the choice of music. Two Strauss´s perform with their “Piecen”. (Full text on ORF Topos)

https://topos.orf.at/straussmania-tivoli100

Bernhard Wertheimer & Cie Frankfurt a/M (Hersteller), “Gruss vom Tivoli, Wien.”, 1899, Wien Museum Inv.-Nr. 235469, CC0 (https://sammlung.wienmuseum.at/objekt/992629/)