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Book presentation at the House of European History, Brussels


May 27th, 2025, 7 – 8.30 pm
House of European History, Rue Belliard/straat 135, 1000 Brussels, Belgium

The House of European History is collaborating with VICCA and invites you to an academic discussion and literary reading on this burning issue of our times. The starting point will be the recently published book “Authoritarian Trends and Parliamentary Democracy in Europe”, co-edited by Oliver Rathkolb and Sybille Steinbacher.

The book is published by Wallstein publishers (Göttingen) and supported by the Vienna Institute for Cultural and Contemporary History and Arts (VICCA), with financial contributions by the Alfred Landecker Foundation, the Fritz Bauer Institute, the University Frankfurt/Main, the Faculty of Historical and Cultural Studies at the University of Vienna, the City of Vienna (MA7), the National Fund of the Republic of Austria for Victims of National Socialism, and the Future Fund of the Republic of Austria. It includes contributions by renowned scholars and writers on how to raise democratic awareness and reduce the trend towards an authoritarian age – an age that the sociologist Ralf Dahrendorf predicted in the 1990s as a consequence of the social crises of neoliberal turbo-globalization.

During the roundtable, experts will discuss models and strategies developed to tackle the growing dissatisfaction with the functioning of democracy that came out as the key finding of the study, commissioned by the University of Vienna in eight European countries.

The language of the event is English. Participation is free.

Speakers

Nathalie Brack is currently Professor in Political science, researcher at the Cevipol, co-Editor of the Journal of European Integration and Member of the Steering Committee of the ECPR Standing group on the European Union. She works on the European Parliament, radical parties, Euroscepticism and the challenges to liberal democracy. 

Edit Innotai is a senior fellow and board member of the Centre for Euro-Atlantic Integration and Democracy (CEID), an independent think tank based in Budapest. She has a PhD in international relations and a background in journalism, having worked as a Berlin correspondent and foreign editor for the major daily Népszabadság. She currently works for German public broadcaster ARD in Budapest and is a regular contributor to regional news site Balkan Insight.

Oliver Rathkolb is a former Head of Department and Professor emeritus at the Department of Contemporary History, University of  Vienna (Austria), founding director of the Vienna Institute of Cultural and Contemporary History and Arts (VICCA) and Chairperson, Academic  Committee, House of European History, Brussels. As a visiting professor he taught at the University of Chicago and was Schumpeter-Professor at Harvard University. Prof. Rathkolb is author of several books focusing on contemporary history as well as editor and co-editor of several studies concerning interdisciplinary questions of contemporary history, authoritarianism and democracy,  music history and communications & media history. He is the managing  editor of the journal “Zeitgeschichte” (Contemporary History).

Sybille Steinbacher has been Director of the Fritz Bauer Institute and Professor of the History and Impact of the Holocaust at Goethe University Frankfurt am Main. From 2010 to 2017, she served as Professor of Contemporary History at the University of Vienna. She studied history and political science in Munich. With a Feodor Lynen Research Fellowship of the Alexander von Humboldt Foundation, she carried out research at Harvard University. She was the Ina Levine Invitational Scholar at the Mandel Center for Advanced Holocaust Studies at the United States Holocaust Memorial Museum in Washington, D.C. She is chairwoman of the Scientific Board of Trustees of Buchenwald and Mittelbau-Dora Memorials Foundation.

Moderator

Steven Van Hecke

Actors

Seán McDonagh, born in Hamburg in 1982, studied at the Hochschule für Musik und Theater in Hamburg. During his studies, he performed at the Thalia Theater, the Junges Schauspielhaus and Kampnagel Hamburg. From 2007 to 2009, he was engaged at the Staatsschauspiel Dresden and then moved to the Schauspielhaus Zürich, where he was a member of the ensemble from 2009 to 2013. From 2013-2024 he was a permanent member of the ensemble at Schauspiel Köln. Seán McDonagh is a permanent member of the BURG ensemble since the 2024/25 season.

Sylvie Rohrer, born in Bern in 1968, attended the acting academy in Zurich. In 1995 she was named “Best Young Actress” by the magazine Theater heute, in 1996 she received the Boy Gobert Prize and in the same year was again voted “Best Young Actress”. Sylvie Rohrer has been a member of the BURG ensemble since 1999. In 2007 she was awarded the Nestroy Theater Prize in the “Best Actress” category. Guest engagements have taken her to the Salzburg Festival, the Berliner Ensemble and the Zürcher Schauspielhaus. Sylvie Rohrer can also be seen in various film and television roles.


Funded by

Alfred Landecker Stiftung
Fritz Bauer Institut
Universität Frankfurt am Main
Fakultät für Geschichts- und Kulturwissenschaften der Universität Wien
Kulturabteilung der Stadt Wien (MA7)
Nationalfonds der Republik Österreich für Opfer des Nationalsozialismus Zukunftsfonds der Republik Österreich


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Exhibition at the WIEN MUSEUM

April 10th – September 7th, 2025

Curators: Oliver Rathkolb, Elisabeth Heimann-Leitner, Anne Wanner

When Vienna was liberated in early April 1945, the city was characterized by destruction, housing shortages, hunger, and cold. Nonetheless, culture came back right away. On April 27, arts events resumed on the orders of Soviet officers. Shortly thereafter, the other Allies – France, Great Britain and the USA – also became culturally active. The resulting influx of international culture was unprecedented in the city’s history.

Accompanying the country’s economic and political reconstruction, the many activities were intended to create the emotional basis for the emergence of a distinct national consciousness – in other words, the development of an identity independent of Germany.

The exhibition “Controlled Freedom” sheds light on the formative influence of the diverse cultural offerings. It documents a transformative project that lives on to the present day – the creation of a democratic Austria.

The exhibition is accompanied by publications in German, English, French and Russian with contributions from Thomas Angerer, Wolfgang Duchkowitsch, Veronika Floch, Christian Glanz, Richard Hufschmied, Monika Knofler, Marion Krammer, Michael Kraus, Johanna Maria Lerchner, Wolfgang Mueller, Agnes Meisinger, Karin Moser, Manfred Mugrauer, Wolfgang Pensold, Hans Petschar, Monika Platzer, Oliver Rathkolb, Peter Roessler, Günther Stocker, Markus Stumpf, Margarethe Szeless.

Kontrollierte Freiheit. Die Alliierten in Wien – Kulturpolitik 1945–1955 

Hg. v. Oliver Rathkolb

Noch nie zuvor wurde die Wiener Bevölkerung in kurzer Zeit so intensiv mit internationalen Kultureinflüssen konfrontiert wie nach der Befreiung im April 1945. In diesem Buch werden die Auswirkungen alliierter Kulturpolitik auf Bildende Kunst, Film, Literatur und Bibliothekswesen, Musik und Theater, Pressefotografie, Printmedien, Rundfunk und Sport sichtbar. Junge Künstler*innen kamen erstmals in Kontakt mit der zuvor verbotenen kritischen Moderne. Die politischen Ziele der alliierten Kulturoffensive reichten von Entnazifizierung über die Konstruktion einer nicht-deutschen Identität bis zum Kampf um die ideologische Positionierung Österreichs.

232 Seiten, Format: 220 x 290
ISBN: 9783701736386

EUR 29,00


Controlled Freedom: Allied Cultural Policy in Vienna, 1945–1955

Edited by Oliver Rathkolb and Agnes Meisinger
Translated by John Heath

Following liberation in April 1945, Vienna was characterized by destruction, cold, hunger, and an acute housing shortage. Yet cultural life soon returned: as early as 27 April, Soviet officers ordered its revival. It was not long until the other Allies – France, Britain, and the USA – launched their own cultural campaigns. The many cultural activities under Allied occupation were intended not only to underpin economic and political rebuilding, but also to promote an Austrian national consciousness – a separate self-image independent from Germany. This volume is the first to show the impact of Allied cultural policy in the fields of fine art, film, literature and libraries, music and theatre, press photography, print media, radio, and sport, thereby documenting an achievement that can still be felt today: the creation of a democratic Austrian identity.

235 pages, with 40 illustrations/graphics

ISBN: 978-3-8471-1852-7

EUR 36,00

Liberté sous contrôle. Les Alliés à Vienne, 1945–1955

To be published in June 2025, information on publication to follow.

Свобода под контролем: оккупация Вены союзниками. Культурная политика, 1945-1955 гг.

Оливер Раткольб (изд.)
Перевод Наталии Бакши

The Russian-language edition (without illustrations) is available as a free PDF. If you are interested, please contact: jana.jodlbauer@vicca.at


The production of the publications in English, French and Russian was made possible thanks to the generous support of the following institutions and individuals:

UniCredit Group
Rektorat und Historisch-Kulturwissenschaftliche Fakultät der Universität Wien
Institut für Historische Sozialforschung (IHSF)
Arbeiterkammer Wien
Verein zur wissenschaftlichen Aufarbeitung der Zeitgeschichte
Institut français d’Autriche
Österreichisch-Französische Vereinigung
Dipl. Ing. Alain de Krassny (Eigentümer der Donau Chemie Gruppe, Präsident der Französisch-Österreichischen Handelskammer, Vize-Präsident der Wirtschaftskammer Wien, Berater des Ministère du Commerce Extérieur de la France, Commandeur dans l’Ordre National de la Légion d’Honneur, Großer Tiroler Adler-Orden, Großes Goldenes Ehrenzeichen für Verdienste um die Republik Österreich)
Zukunftsfonds der Republik Österreich