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Book presentation at the House of European History, Brussels


May 27th, 2025, 7 – 8.30 pm
House of European History, Rue Belliard/straat 135, 1000 Brussels, Belgium

The House of European History is collaborating with VICCA and invites you to an academic discussion and literary reading on this burning issue of our times. The starting point will be the recently published book “Authoritarian Trends and Parliamentary Democracy in Europe”, co-edited by Oliver Rathkolb and Sybille Steinbacher.

The book is published by Wallstein publishers (Göttingen) and supported by the Vienna Institute for Cultural and Contemporary History and Arts (VICCA), with financial contributions by the Alfred Landecker Foundation, the Fritz Bauer Institute, the University Frankfurt/Main, the Faculty of Historical and Cultural Studies at the University of Vienna, the City of Vienna (MA7), the National Fund of the Republic of Austria for Victims of National Socialism, and the Future Fund of the Republic of Austria. It includes contributions by renowned scholars and writers on how to raise democratic awareness and reduce the trend towards an authoritarian age – an age that the sociologist Ralf Dahrendorf predicted in the 1990s as a consequence of the social crises of neoliberal turbo-globalization.

During the roundtable, experts will discuss models and strategies developed to tackle the growing dissatisfaction with the functioning of democracy that came out as the key finding of the study, commissioned by the University of Vienna in eight European countries.

The language of the event is English. Participation is free.

Speakers

Nathalie Brack is currently Professor in Political science, researcher at the Cevipol, co-Editor of the Journal of European Integration and Member of the Steering Committee of the ECPR Standing group on the European Union. She works on the European Parliament, radical parties, Euroscepticism and the challenges to liberal democracy. 

Edit Innotai is a senior fellow and board member of the Centre for Euro-Atlantic Integration and Democracy (CEID), an independent think tank based in Budapest. She has a PhD in international relations and a background in journalism, having worked as a Berlin correspondent and foreign editor for the major daily Népszabadság. She currently works for German public broadcaster ARD in Budapest and is a regular contributor to regional news site Balkan Insight.

Oliver Rathkolb is a former Head of Department and Professor emeritus at the Department of Contemporary History, University of  Vienna (Austria), founding director of the Vienna Institute of Cultural and Contemporary History and Arts (VICCA) and Chairperson, Academic  Committee, House of European History, Brussels. As a visiting professor he taught at the University of Chicago and was Schumpeter-Professor at Harvard University. Prof. Rathkolb is author of several books focusing on contemporary history as well as editor and co-editor of several studies concerning interdisciplinary questions of contemporary history, authoritarianism and democracy,  music history and communications & media history. He is the managing  editor of the journal “Zeitgeschichte” (Contemporary History).

Sybille Steinbacher has been Director of the Fritz Bauer Institute and Professor of the History and Impact of the Holocaust at Goethe University Frankfurt am Main. From 2010 to 2017, she served as Professor of Contemporary History at the University of Vienna. She studied history and political science in Munich. With a Feodor Lynen Research Fellowship of the Alexander von Humboldt Foundation, she carried out research at Harvard University. She was the Ina Levine Invitational Scholar at the Mandel Center for Advanced Holocaust Studies at the United States Holocaust Memorial Museum in Washington, D.C. She is chairwoman of the Scientific Board of Trustees of Buchenwald and Mittelbau-Dora Memorials Foundation.

Moderator

Steven Van Hecke

Actors

Seán McDonagh, born in Hamburg in 1982, studied at the Hochschule für Musik und Theater in Hamburg. During his studies, he performed at the Thalia Theater, the Junges Schauspielhaus and Kampnagel Hamburg. From 2007 to 2009, he was engaged at the Staatsschauspiel Dresden and then moved to the Schauspielhaus Zürich, where he was a member of the ensemble from 2009 to 2013. From 2013-2024 he was a permanent member of the ensemble at Schauspiel Köln. Seán McDonagh is a permanent member of the BURG ensemble since the 2024/25 season.

Sylvie Rohrer, born in Bern in 1968, attended the acting academy in Zurich. In 1995 she was named “Best Young Actress” by the magazine Theater heute, in 1996 she received the Boy Gobert Prize and in the same year was again voted “Best Young Actress”. Sylvie Rohrer has been a member of the BURG ensemble since 1999. In 2007 she was awarded the Nestroy Theater Prize in the “Best Actress” category. Guest engagements have taken her to the Salzburg Festival, the Berliner Ensemble and the Zürcher Schauspielhaus. Sylvie Rohrer can also be seen in various film and television roles.


Funded by

Alfred Landecker Stiftung
Fritz Bauer Institut
Universität Frankfurt am Main
Fakultät für Geschichts- und Kulturwissenschaften der Universität Wien
Kulturabteilung der Stadt Wien (MA7)
Nationalfonds der Republik Österreich für Opfer des Nationalsozialismus Zukunftsfonds der Republik Österreich


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Exhibition at the WIEN MUSEUM

April 10th – September 7th, 2025

Curators: Oliver Rathkolb, Elisabeth Heimann-Leitner, Anne Wanner

When Vienna was liberated in early April 1945, the city was characterized by destruction, housing shortages, hunger, and cold. Nonetheless, culture came back right away. On April 27, arts events resumed on the orders of Soviet officers. Shortly thereafter, the other Allies – France, Great Britain and the USA – also became culturally active. The resulting influx of international culture was unprecedented in the city’s history.

Accompanying the country’s economic and political reconstruction, the many activities were intended to create the emotional basis for the emergence of a distinct national consciousness – in other words, the development of an identity independent of Germany.

The exhibition “Controlled Freedom” sheds light on the formative influence of the diverse cultural offerings. It documents a transformative project that lives on to the present day – the creation of a democratic Austria.

The exhibition is accompanied by publications in German, English, French and Russian with contributions from Thomas Angerer, Wolfgang Duchkowitsch, Veronika Floch, Christian Glanz, Richard Hufschmied, Monika Knofler, Marion Krammer, Michael Kraus, Johanna Maria Lerchner, Wolfgang Mueller, Agnes Meisinger, Karin Moser, Manfred Mugrauer, Wolfgang Pensold, Hans Petschar, Monika Platzer, Oliver Rathkolb, Peter Roessler, Günther Stocker, Markus Stumpf, Margarethe Szeless.

Kontrollierte Freiheit. Die Alliierten in Wien – Kulturpolitik 1945–1955 

Hg. v. Oliver Rathkolb

Noch nie zuvor wurde die Wiener Bevölkerung in kurzer Zeit so intensiv mit internationalen Kultureinflüssen konfrontiert wie nach der Befreiung im April 1945. In diesem Buch werden die Auswirkungen alliierter Kulturpolitik auf Bildende Kunst, Film, Literatur und Bibliothekswesen, Musik und Theater, Pressefotografie, Printmedien, Rundfunk und Sport sichtbar. Junge Künstler*innen kamen erstmals in Kontakt mit der zuvor verbotenen kritischen Moderne. Die politischen Ziele der alliierten Kulturoffensive reichten von Entnazifizierung über die Konstruktion einer nicht-deutschen Identität bis zum Kampf um die ideologische Positionierung Österreichs.

232 Seiten, Format: 220 x 290
ISBN: 9783701736386

EUR 29,00


Controlled Freedom: Allied Cultural Policy in Vienna, 1945–1955

Edited by Oliver Rathkolb and Agnes Meisinger
Translated by John Heath

Following liberation in April 1945, Vienna was characterized by destruction, cold, hunger, and an acute housing shortage. Yet cultural life soon returned: as early as 27 April, Soviet officers ordered its revival. It was not long until the other Allies – France, Britain, and the USA – launched their own cultural campaigns. The many cultural activities under Allied occupation were intended not only to underpin economic and political rebuilding, but also to promote an Austrian national consciousness – a separate self-image independent from Germany. This volume is the first to show the impact of Allied cultural policy in the fields of fine art, film, literature and libraries, music and theatre, press photography, print media, radio, and sport, thereby documenting an achievement that can still be felt today: the creation of a democratic Austrian identity.

235 pages, with 40 illustrations/graphics

ISBN: 978-3-8471-1852-7

EUR 36,00

Liberté sous contrôle. Les Alliés à Vienne, 1945–1955

To be published in June 2025, information on publication to follow.

Свобода под контролем: оккупация Вены союзниками. Культурная политика, 1945-1955 гг.

Оливер Раткольб (изд.)
Перевод Наталии Бакши

The Russian-language edition (without illustrations) is available as a free PDF. If you are interested, please contact: jana.jodlbauer@vicca.at


The production of the publications in English, French and Russian was made possible thanks to the generous support of the following institutions and individuals:

UniCredit Group
Rektorat und Historisch-Kulturwissenschaftliche Fakultät der Universität Wien
Institut für Historische Sozialforschung (IHSF)
Arbeiterkammer Wien
Verein zur wissenschaftlichen Aufarbeitung der Zeitgeschichte
Institut français d’Autriche
Österreichisch-Französische Vereinigung
Dipl. Ing. Alain de Krassny (Eigentümer der Donau Chemie Gruppe, Präsident der Französisch-Österreichischen Handelskammer, Vize-Präsident der Wirtschaftskammer Wien, Berater des Ministère du Commerce Extérieur de la France, Commandeur dans l’Ordre National de la Légion d’Honneur, Großer Tiroler Adler-Orden, Großes Goldenes Ehrenzeichen für Verdienste um die Republik Österreich)
Zukunftsfonds der Republik Österreich


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VIENNA 1900

Birth of a Visionary Movement

© Verena Repar

A CONFERENCE

MAY 2 & May 3, 2024

Austrian Cultural Forum New York
11 East 52nd Street, 10022 New York

Vienna 1900 has become a hallmark for the city’s outstanding innovative capacities in formulating modern thought and highlighting the paradoxes of modernity. Renowned experts from Austria, the US and Great Britain will present the latest research on this topic and reflect on potentialities for cultural and societal innovation in the 2020s.

ORF Topos

The two-day conference features three events:
 


Videos of the conference events

Opening Panel – May 2, 2024
Panel 1: Viennese Radicalism in Music
Panel 2: New Perspectives on the Cultural Revolution in Vienna pre-1900

Panel 3: Psychoanalysis and Literature

Concert: The Long Impact of Viennese Modernism

A two-day conference of the Vienna Institute for Cultural and Contemporary History and Arts (VICCA), the Vienna Library in the Town Hall, and topos.ORF.at (The Austrian Broadcasting Corporation), in cooperation with the Austrian Cultural Forum New York.


Funded by:


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Vienna Pre-1900

© ORF

Oliver Rathkolb and ORF-Journalist Katharina Gruber conduct a series of interviews with experts of various fields – from medicine and politics to art – on how they assess the changes their disciplines went through in Vienna pre-1900, and the consequent affects on modernism.

About the Series


Media-Coverage:

ORF Topos on the first interview with Herwig Czech and Daniela Finzi, including a video recording of the whole discussion

ORF news on the interview with Bettina Hering and Norbert Christian Wolf

ORF Topos on the interview with Bettina Hering and Norbert Christian Wolf, including a video recording of the whole discussion

ORF Topos on the interview with Barbara Boisits and Christian Glanz, including an audio recording of the whole discussion

ORF Topos on the interview with Peter Eigner and Hans Petschar, including a video recording of the whole discussion

ORF Topos on the interview with Kathrin Pokorny-Nagel and Johannes Wieniniger, including a video recording of the whole discussion

ORF Topos on the interview with Monika Platzer and Werner Telesko, including a video recording of the whole discussion

ORF Topos on the interview with Katharina Prager and Andrea Winklbauer, including a video recording of the whole discussion

Program:

22.01.2024: Herwig Czech (Medizinische Universität Wien) and Daniela Finzi (Sigmund Freud Museum Wien) on The History of Medicine and Psychoanalysis

20.03.2024: Bettina Hering (Vienna) and Nobert Christian Wolf (Universität Wien) on Literature

22.04.2024: Barbara Boisits (Österreichische Akademie der Wissenschaften) and Christian Glanz (Universität für Musik und darstellende Kunst Wien) on Music

10.06.2024: Peter Eigner (Universität Wien) and Hans Petschar (Österreichische Nationalbibliothek) on Economic and political framework of art 1900

26.09.2024: Kathrin Pokorny-Nagel (Museum für angewandte Kunst) and Johannes Wieninger (Vienna) on Applied Arts and Design

17.10.2024: Monika Platzer (Architekturzentrum Wien) and Werner Telesko (Österreichische Akademie der Wissenschaften) on Art and Architecture

21.11.2024: Katharina Prager (Wienbibliothek im Rathaus) and Andrea Winklbauer (Jüdisches Museum der Stadt Wien) on Women artists and salonières in Vienna pre-1900

11.02.2025: Johannes Feichtinger (Österreichische Akademie der Wissenschaften) and Marianne Klemun (Institut für Geschichte) on The History of Science (rescheduled from 10.12.2024)


In cooperation with ORF TOPOS, Ö1, and in collaboration with ORF RadioKulturhaus

Funded by:



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Democracy has a future

Ensemble-members of the Vienna Burgtheater – Annamária Láng, Tobias Moretti, Martin Schwab und Marie-Luise Stockinger – present excerpts from literary texts by contemporary authors of eight European countries which were part of two studies (2019, 2022) on authoritarian attitudes and democracy. The results of the latter study (2022) – a survey on views on national history, democracy and its principles, and authoritarianism in their respective conutries and Europe at large – will be presented, followed by an expert panel discussion.

Live Recording, March 17th at the Vienna Burgtheater

Jean-Baptiste Del Amo (France)
Sabine Gruber (Italy)
Michal Hvorecký (Slovakia)
Dorota Masłowska (Poland)
Terézia Mora (Hungary)
Kathrin Röggla (Germany)
Antonia Scurati (Italy)
Gerhild Steinbuch (Austria)
Tena Štivičić (UK)

Panel discussion: Misha Glenny (Rector of the Institute for Human Sciences, IWM), Cathrin Kahlweit (Correspondent Süddeutsche Zeitung for Central- and Eastern Europe, Political Scientist), Sylvia Kritzinger (Professor at the Department of Government, University of Vienna) and Oliver Rathkolb (Professor at the Department of Contemporary History, University of Vienna, and Chairman of the Vienna Institute for Cultural and Contemporary History and Arts, VICCA)

Moderated by Markus Müller-Schinwald (Ö1)

Webseries – Online Readings

An interview between representatives of the Burgtheater (Sebastian Huber and Rita Czapka) and Oliver Ratkolb

pdf (in German, English version to be published in autumn 2024)


Media Coverage

Ö1

TOPOS article

Frankfurter Rundschau 1, 2, 3


In cooperation with the Burgtheater and the Institute for Contemporary History at the University of Vienna

Sponsors:
Alfred Landecker Foundation Berlin; Fritz Bauer Institute Frankfurt/Main, Association for the Academic Reappraisal of Contemporary History; Culture Department of the City of Vienna; National Fund of the Republic of Austria for Victims of National Socialism, and Zukunftsfonds.


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Anything Goes – The Role of Music in Society

Dancing bar in Baden-Baden by Max Beckmann, 1923

As part of a panel of experts of cultural history and art– which he helped put together – Oliver Rathkolb joins a discussion with Larry Diamond, Daniel Froschauer, Nadine Rossol und Franz Welser on the arts and what they can tell and predict about their time, as well as its politics and society. The discussion aims to compare the current conditions with those of the “anything-goes” society of the 1920s, which ultimately led to the fall of democracy and a rise of authoritarianism.

Moderated by Sheri Berman

Wednesday. February 28th 2024 at 5:30 pm

Resnick Education Wing, Carnegie Hall

©Lydia Rathkolb
Left to right: Franz Welser-Möst, Daniel Froschauer, Nadine Rossol, Oliver Rathkolb, Larry Diamond, Sherry Berman

About the Event


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Hans Sima – a political life

Hans Sima Exhibition, Poster

The photo exhibition “Hans Sima – a political life” reconstructs the life and political work of Carinthia’s governor Hans Sima using selected photographic highlights.

Professor Oliver Rathkolb and Dr. Petra Mayrhofer are curating the photo exhibition together with Dr. Andreas Kuchler, Director of the Museum of the City of Villach. It provides insights into the former craft of political press photography in black and white. Photographic self-portraits using cell phone photography were still unknown. Sima planned to give Austria’s southernmost province an active role at the intersection of the three countries Austria, Italy, and the former Yugoslavia. He therefore intensified specific projects within the framework of Alps-Adriatic cooperation. The presentation of this exhibition in four languages is intended to underline this. Representative excerpts from the ORF III documentary “Hans Sima: A politician’s life in turbulent times” complement the presentation. An audio guide in German, English, Italian, and Slovenian facilitates the communication of the content and the participation of visually impaired people.

The new special exhibition of contemporary history on a total of 15 panels can be seen free of charge until the end of the year 2023 in the Alps-Adriatic Media Library of the Villach Chamber of Labor, Kaiser-Josef-Platz 1, 9500 Villach.

Hans Sima Photo Exhibition, AK Bibliothek Villach

Sponsered by Villach :City Museum, Hans Sima Stiftung, and Arbeiterkammer Kärnten


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28 December: This is how a successful music piece works in 2023.

Gerald Heidegger

If a waltz in the 19th century sometimes wanted to be a symphony in the short space of eight minutes, in the present day the challenges to a song are no less great. Today, one has between 2.10 and 2.40 minutes to bring one’s own composition to the audience, says musician and former song contest participant Cesar Sampson in a Straussmania interview. (Full text on ORF Topos)

https://topos.orf.at/straussmania-song100

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December 26: Strauss music on tour in Europe

Norbert Rubey

Extensive concert tours of the family dynasty carry the fame of the Viennese waltz and especially of the Strauss family throughout Europe in the 19th century. All the Strausses go on tour abroad, the family business flourishes. Eduard Strauss is particularly restless. Last but not least, the third-born Strauss son receives more recognition far from home. (Full text on ORF Topos)

https://topos.orf.at/straussmania-eduard-strauss-europa100

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19 December: The “Güldene Waldschnepfe” as a “Schrammelmusik” stronghold

Herbert Zotti und Susanne Schedtler

Biedermeier Vienna is not only crazy about waltzes, folk music is also experiencing a peak at this time: the legendary “Schrammeln” play music to listen to as a quartet and are extremely successful with it across all social classes. Their musical headquarters at that time was in Dornbach. The “Güldene Waldschnepfe” becomes the stronghold of Schrammel music. (Full text on ORF Topos)

https://topos.orf.at/straussmania-goldene-waldschnepfe100

Unbekannt, Gasthaus zur “güldenen Waldschnepfe”, um 1900, Wien Museum Inv.-Nr. 243252, CC0 (https://sammlung.wienmuseum.at/objekt/643002/)